Sacred Geometry – Healthy Shapes

I would like to dedicate this section to exploring the world we live in and to sharing how I perceive this space. Perhaps the most fundamental perspective is that I am convinced that everything surrounding us, as well as the remarkably intricate way our multilayered body functions, did not come about through a random Big Bang, but was designed and created by someone.

“The Creator Does Not Play Dice…”

Searching for the purpose of our existence is a question humanity has been seeking to answer for countless ages. Perhaps it is not so important to search for the answer to Why, but it may be more worthwhile to look at Who we are.

What I think most of us can relate to is the idea of wanting to build our dream home. For everything in the house to function perfectly, work together seamlessly, and ideally operate reliably for a long time requires careful preparation and consideration of countless professional principles and disciplines. The experts who design a house down to the very last detail are called architects and designers.

“At the beginning of everything, there is only a thought, which comes to life through the Designer, whom we may call Consciousness.”

Each of us carries within us a little designer, equipped with tools similar to those of the “Great Designer.” These tools are: Imagination, Logical Thinking, and a Sense of Balance and Wholeness.

What follows a thought is the translation of its nature and its relationships into space and time. And if we allow ourselves to follow the spiral of time back to the point of Creation, it might look something like this. The Creator's Consciousness began to create…

The smallest working tool within an imaginary spatial field is the Point — a dot. Against a black background, it may have a negative expression and therefore appear white. And here we have the first Relationship to this point. With this step, the first very important level of perception comes into being, which we like to call a Dimension, where the unmanifested becomes Manifest, and thus Duality – Difference is born.

In the field of Sacred Geometry, symbolism is understood in such a way that the first Point contains both polarities of the Creator. A Straight Line represents Masculine Energy (the spark of life – electrical), while a Curve represents Feminine Energy (creative and generative – magnetic).

Next comes a spatial definition. We can imagine that from this fundamental central point, we are able to move only a distance of one metre in every direction. After a while, this movement creates the first geometric form — the Circle. The circle is the first geometric shape bounded by a circumference, and it opens the doorway to the Second Dimension, where the Mind of the “Architect–Creator” began creating the first fundamental building blocks for the emergence of the entire universe.

The Mind began to explore the circle, divide it, and perceive the individual relationships between its parts. The Mind then created the first multiplication, and a second identical circle emerged by multiplying it by the number 2. The Mind gradually explored and developed numerical tools that helped it create increasingly complex combinations of shapes, each carrying a specific meaning.

Nowdays, for many people, the best-known geometric form is the Flower of Life.

The next important step was the creation of Space – the Third Dimension. By introducing another dimension, Depth, shapes on a surface acquired Volume.

The next step was to breathe Life – Changeability into these forms. And so another layer was created: the Fourth Dimension, where everything became subject to another parameter — Time.

With the arrival of Time, the process of transformation and change began. Gradually, the Architect designed the flora, and later the fauna, observing whether everything he had created in his mind would also live according to the rules of the reality he had created.

Each of these Dimensions is separated by a certain layer, and although together they form a single whole, different sets of limitations and rules apply within each one. At the same time, because everything originates from the same foundation and the same building blocks (algorithms) are used in their structure, they communicate with one another and are, in certain ways, interdependent

Healthy Shapes

The geometric shapes that can be found within the Flower of Life have fascinated many philosophers since ancient times, including the Greek philosopher Plato (427–347 BC).

Plato regarded the cube, octahedron, tetrahedron, and icosahedron as representations of the four fundamental elements: earth, air, fire, and water. The dodecahedron represented the Creator, or everything that exists.

Here, I would like to add that I also perceive Plato's dodecahedron as a perfect form for expressing the culmination of the Synergy of twelve different parts within a single whole (for example, the archetypes of the human being).

And then a Humanity Being was created.

The Human Being is a form of existence that, unlike other forms of living organisms, has been given another aspect: the ability to perceive oneself not only as part of the whole – We – Spirit, but also as an individual – I – Ego.

Like the Designer, the human being possesses certain similar tools: Imagination, Logical Reasoning, and Empathetic Association.

This layer, in which the human being was introduced, could be called the Fifth Dimension. Here I see Plato's Dodecahedron and its perfect form, where each of its twelve pentagonal faces contributes to the mutual synergy of the human being — one who undergoes the evolution of consciousness to a state in which they understand the meaning and purpose of the differences between other people and see beyond them into co-creation, recognizing the importance of each individual's uniqueness to the whole.

Richard Buckminster Fuller (July 12, 1895 – July 1, 1983) was an American architect, mathematician, inventor, and writer who, in the 20th century, once again — after many centuries — brought the significance and importance of shapes to the attention of the world.

He demonstrated how the properties of individual chemical elements can change depending on the way their structures are arranged. For example, the element Carbon (C) can have a molecular arrangement that results in Graphite (a very soft material), while another arrangement of the same element produces Diamond (the hardest natural material).

In 1992, fullerenes were discovered in a carbon-rich rock known as SHUNGITE (mined in the Karelia region).

For this reason, shungite is often used to influence the structure of water. It is placed in water in various forms (as crushed pieces, unprocessed stones, or even in the shape of pyramids, etc.).

In his research, Buckminster Fuller came across a long-forgotten, perfectly balanced geometric form, which he called Vector Equilibrium.

The creator of this geometric solid was none other than Archimedes of Syracuse (287 BC – 212 BC).

Among the Archimedean solids lay a hidden gem: the Cuboctahedron.

Not only did the Creator design Rotation into this solid, but through the natural growth of multiples of itself, all of its vertices touch the surface of the sphere in which the Cuboctahedron is inscribed.

Among other things, the Cuboctahedron is composed of eight equilateral triangles. An equilateral triangular pyramid is a pyramid whose base is an equilateral triangle.

The triangle is the smallest fundamental building block in the universe. If we imagine a sphere, then such a tiny pyramid with an equilateral triangle as its base can be seen as its negative manifestation.

The Cuboctahedron also contains within itself the first three stages of growth. Just as the growth of cells is programmed (1 + 1, 2, 4, 8).

If I mention Growth here, where the multiplier is the number 2, it is very important to also mention another growth algorithm found not only in the world of flora and fauna, but also within us humans. This is the Golden Ratio, whose proportion is 1.618…

Another great figure, not only of his time, was Leonardo da Vinci (April 15, 1452 – May 2, 1519). He was a great pioneer and visionary. One of the first to do so, he transferred the geometric proportions of the human body onto paper and canvas.

His famous work, “Vitruvian Man” portrays the human being as a divine creation. It highlights the proportions of individual bones, which have certain mathematical relationships to one another, once again bringing us back to the proportions of the human body and the Golden Ratio.

Writing about shapes and geometry could go on and on, but the reason I wanted to share these thoughts with you is the theme of “Healthy Shapes.”

Healthy shapes are, in essence, healthy attitudes toward life that lead to the personal transformation of consciousness each of us experiences throughout our journey through life. I believe that we are all moving toward the same evolutionary goal, and that each of us contributes our own, most perfect part to the greater whole. The shapes of the cells in our bodies, as well as those in our more subtle bodies, are constantly changing, always in harmony with our responses to external stimuli.

At the same time, it is important to mention the perfect cycles of the Moon — the cycles of Life and Death. The 28–13 algorithm leads us into the realm of prime numbers (2, 3, 5, 7, 11, 13…). If we add together the sequence of prime numbers, we arrive at the 28–13 algorithm. The algorithm of our Shadow. Whenever it reaches its peak — that is, during the Full Moon — our psyche is put to the test.

As I have already written, everything is interconnected, and there are so many clues all around us. We only need to remain aware.

Ernst Florens Friedrich Chladni (November 30, 1756 – April 3, 1827) is known as the “Father of Acoustics.”

Perhaps you have seen Chladni´s patterns, which are created on a thin vibrating plate (usually made of metal) covered with fine sand or a similar material. Chladni´s patterns form and change according to the size and shape of the plate, as well as different frequencies and vibrations.

Every second, each of us is changing, just like that grain of sand on the surface (dimension). A certain critical level of frequency allows the patterns that are constantly moving and growing to suddenly rearrange themselves into an entirely new form, different from what existed just moments before.

And this could be described as an Evolutionary Leap — both on the level of the individual and of the whole. When people are able to communicate openly and healthily and truly listen to one another, they can continually inspire each other. They can create functional partnerships (like harmonies of tones and chords), because through their transformation, everything rearranges itself into a new geometric pattern.

My reflections on the shapes and geometry that the “Designer” used to create this world are, in a way, an allegory for returning to the architect's original dream, which might have been:

“Know yourself and find the perfect counterpart who reflects your own image.”

No one knows how long this will take. In fact, we still do not know what critical number of transformed people will be needed to reach the level of Cooperation. It all depends on each individual — on how they transform their values in life and their level of perception, not only of their personal I, but also of the greater We.

I wish you happiness and joy in your soul on your journey of transforming consciousness…